INDRA SOUNDAR RAJAN MOVIE
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She immediately came back inside to wake me but when I went out, there was no one outside. She got up and opened the door to find my paati (grandmother) dressed in a green saree, standing outside the door. “Many years ago, when I was living in a rented house with my family, my wife woke up one night around 11.00 pm to the sound of someone knocking the door. He then goes on to share one of his experiences with us when we prod for more. Most often it is difficult to explain and make someone believe,” he says in a style that reminds us of one of his characters speaking. “It is a thing to be experienced for yourself. What fascinates him about this idea of the paranormal? Has he experienced any in real life we ask. Arguments are made on all sides and in the end, invariably all characters end up accepting in the existence of a higher being, of the possibility that there’s more to what meets the eye.

In all his stories, there’s the superstitious, the rationalist and the confused. I was intrigued by Karupasamy vazhipadu (worshipping of the fierce-looking village deity) too and out came Vidathu Karuppu,” he explains.Īll of Indra Soundar Rajan’s works explore the question of the ‘unknown’ and what lies beyond. My move to Madurai made me wonder about the aruva vazhipadu (worshiping the sickle). “I’ve answered this question in all the interviews. Ask him about the inspiration for creating such a cult work and the author gives you a tired smile. Amongst all his works is his most famous is Vidathu Karuppu or more popularly known as Marmadesam.

INDRA SOUNDAR RAJAN MOVIE

In addition to all this, he’s also written over 5000 TV episodes including the most famous Maramadesam series, Krishna Dasi, Kottaipurathu Veedu, Rudra Veenai to name a few and worked in more than 3 movie scripts including Aanandhapurathu Veedu. So far, the author has written 750 short stories, 360 monthly novels, 120 magazine series. But I don’t have any complaints,” he smiles. “But like how an actor is flooded with characters similar to his recent hit, I too was encouraged to write more mysteries. It was a huge success,” he beams.Īs much as he’s known for his crime novels and religious speeches, the author shares that he always liked writing stories based on real people and their emotions. On their first night, when he enters the room, he finds her dressed in white and that is how the story ends. He separates them, kills Mannangatti and marries the woman. Love blooms between the two but the village head has different plans. There is woman who literally turns this mannangatti into gold. One of my lead characters was called Mannangatti (waste), and he is a naive man who is used by goons to transport country brewed arrack. His very fist short novel, Ondrin Niram Irandu (The colour of one is two), won the first prize in Kalaimagal Magazine.

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The success of his very first stint in writing urged him to take up writing full time. Born in Salem, Indra moved to Madurai when he was 20 years old in the year 1980. Indra Soundar Rajan began writing when he was 18-years-old. Amidst the sounds of wind chimes and surrounded by bookshelves bursting with titles on ‘Olai Chuvadi’ and ‘Sithar’s’ we discuss about his writings and the source of his inspiration.

The author has just returned from having given a speech at Pollachi and we sit down at his office above his house in Madurai. What is happening in Aayakudi and who is behind all of it forms the rest of the story.

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While Aayakudi reels under serial murders, Rajendran has a dagger hanging right above his own head. His brother-in-law Rajamanickam of dubious character and a notorious past, is now the son-in-law-to-be. The story is wound together tightly in typical Indra Soundar Rajan style with characters like the village strongman Govinda Naicker who is worried sick for his unwed daughter Thenmozhi's future. A spirited police officer and Deenadayalan’s old student Rudrapathy joins them. He befriends Deenadayalan, an old Tamil teacher from the village, and together the two try make sense of the mysteries of the village.

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While Rajendran’s initial hunch was to attribute Chinna Pechi’s father’s death to the criminal on the loose, a series of unexplained events forces him to ponder upon the existence of ghosts. The blow falls on him harder when he finds out that Chinna Pechi is a young girl no older than 8 years of age.

The editor sends off journalist Rajendran to Aayakudi and he arrives right in time to witness the funeral of Chinna Pechi’s father. It also mentions an escaped prisoner on the run and the writer, Chinna Pechi, whose father has fallen ill after having seen “things he shouldn’t have seen” near the hills, seeks their help to investigate with discretion. A mysterious letter bearing tales of spirits wandering the deserted foothills in a village called Aayakudi arrives addressed to a Magazine’s editor in Chennai. A fast-paced mystery novel, Aayakudi Murders is the kind of fiction you can devour during a bus or train journey.

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